Tunnel

Tunnel (1958) by Ismael González marks his transition to an abstract, introspective style, using the tunnel motif as a metaphor for artistic and personal exploration, reflecting his journey from Spain to Paris and his search for the essence of painting.

Tunnel (1958) by Ismael González embodies his transition from his earlier Cubist influences towards a more abstract and introspective style that characterized his later years. The tunnel motif suggests a journey through time and space, possibly reflecting the artist’s own path from his Spanish roots to his life in Paris, where he was exposed to various artistic movements. This artwork can be seen as a visual representation of de la Serna’s artistic philosophy, encapsulating his search for the fundamental essence of painting. Through the metaphor of a tunnel, he invites viewers to embark on their own journey of introspection and discovery, mirroring his own artistic exploration.